Midi velocity settings mulab3/25/2023 Most of us start out with one synth, which is likely to be called on to play back half a dozen or more different sounds at once. Many people adopt a fairly fixed way of working, depending on just how many MIDI devices they have. Modern keyboards and synth modules tend to be fairly quiet (although you rarely see specification figures), but most people have at least one older device that's a bit noisy, and anyone using a computer soundcard may well have computer‑generated burbles in the background, courtesy of the many interference‑generating components inside the average computer casing. But MIDI signals can also benefit from a little preparation in this area. It's vital to set up your mixer gains carefully, so that your music is sitting neatly in that optimum area between noise at the bottom and distortion at the top, as I explained in the April '98 issue of SOS. Martin Walker provides some quick and easy ways to minimise hiss and hum from MIDI gear. Setting up MIDI gear for the best audio quality is a very similar process to setting up your mixer, and you can often reduce noise levels significantly. The lower one may be adding more noise to the mix than it should, simply because it never goes above half volume therefore requiring more input gain. ![]() The upper window shows a string part using all the Controller 7 (Volume) range. ![]() Figure 1: If you're using MIDI Controllers to automate volume levels for expression purposes, make sure you're using the full range of control, to minimise noise.
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